Connecticut
State Reorganization Nets New Home, Name, and New
Director
Connecticut
has a new Commission, and because of that, the office
formerly named the Connecticut Film, Television and
Media Office has a new name and a new home.
As
of January, 2005, the Connecticut Commission on Culture
and Tourism (CCT) will oversee issues regarding art,
tourism, film and history in the state, which will be
administered by individual divisions.
The
Film Division serves as the state film office based in
Hartford, with an office in Rocky Hill. The Division
provides customer service to more than 200 production
companies in a typical year –-TV shows, feature films,
TV commercials, corporate videos and commercial
photography shoots.
In 2004, the division attracted a number of
lucrative productions to the state, including the Steven
Spielberg film WAR OF THE WORLDS starring Tom Cruise and
the CBS prime-time reality show “Wickedly Perfect.”
The productions served by the Film Division spend
millions of dollars in Connecticut each year.
John
Courtemanche, Director of the new Film Division, reports
directly to Jennifer Aniskovich, Executive Director of
the Connecticut Commission. Together, the Commission and
the Division hope to attract additional productions to
Connecticut, to ensure the highest level of customer
service to the production industry and to represent the
state’s media community to this industry at large.
Courtemanche
asserts, "We need to be proactive in promoting
Connecticut as a production location, both to the
$5-billion-dollar New York metropolitan market, and to
the rest of the market.
We can do this by promoting the high level of
service our office provides."
Dave
DuPuy Joins Finish Editorial in Boston
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David DuPuy joins
Finish Editorial as
Account Executive. Photo courtesy of
Finish Editorial. |
David
DuPuy has recently joined Finish Editorial in Boston as
Account Executive.
Dave’s
background is as a producer in Los Angeles, where he had
success with Division I Entertainment, a company he
co-founded and still is partners in. During his active
tenure in Los Angeles his company produced the feature
film TELLING YOU that was then sold and released by
Miramax Films. A slice of life film in which two college
graduates find
themselves stuck behind the counter of a pizza parlor
while their friends struggle to find a new direction for
their lives. In addition Dave has optioned and worked on
development of a large number of film projects for the
company, before coming back home to Boston.
“We’re
excited to have Dave here,” reports C.O.O/Founder Don
Packer. “Dave
brings a deep background and a very level film head to
our crazy business and I’m looking forward to the kind
of work that I think he’ll bring to our facility.”
Finish
is a full service postproduction facility in Boston
featuring Avid, Film to Tape Color Correction, and Fire
and Smoke on-line finishing with full HD capability.
Dave
can be contact at: david.dupuy@finishedit.com.
Google “Finish Editorial” at www.imaginenews.com
for other Finish Editorial stories.
CrewStar
Reports Significant Increase in Worldwide TV Crew Usage
Boston-based
CrewStar, Inc., reported
a 51% rise in worldwide crew bookings under its CrewStar
SHOOTS division since the final quarter of 2004. The
full service company attributes the increase to several
services, economic and environmental factors.
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Lily Maiella is the President of CrewStar Inc. She
believes treating everyone on their crew list with
respect nets great results worldwide.
Photo courtesy of CrewStar, Inc. |
"The
dynamics behind this trend are understandable,” notes
Lily A. Maiella, CrewStar President & CEO. "As
reported recently in Business Travel News, many
corporations are continuing to develop or more strictly
enforce travel policy restrictions. That's one reason
why more producers are using local crews. Secondly,
while 2005 budgets remain tight, programs still need to
be done - so it's more cost effective to buy services
locally than pay travel costs. Plus, airlines are
cutting back, so routes and numbers of flights are more
limited. Finally, we're seeing more "single
body" business - as CrewStar is one of the few
agencies that will book a single technician to a fully
equipped team. This gives producers more flexibility and
low-cost options. The result is we're busier than ever
with crew bookings all over the world!"
CrewStar
SHOOTS maintains a comprehensive, worldwide database of
production resources as well as solid, respectful
relationships with their production teams. "It's
one thing to have a crew list", said Joe Maiella,
Sr. VP, Marketing & Sales. "It’s far more
valuable to have a relationship with crew members who
are actually doing the work. This makes us fully
confident that our teams will perform in outstanding
fashion, and can back-up our guarantee for client
satisfaction. We also know how our crews feel about
doing business with CrewStar. We treat them with
respect.
In
turn, they respect our business model, our pricing, and
how we create value for all parties involved. Again,
this makes a big difference in how well our professional
crews perform."
CrewStar,
Inc. also provides record payroll services for
production crew and talent as well as international
production crew and equipment booking services to
corporate, commercial production, broadcast, cable, and
organizational clients. For more information, visit www.crewstar.com.
Jewishfilm.2005:
From Auschwitz to America and Israel, March 31 to April
10
The
National Center for Jewish Film at Brandeis University
in association with The Consulate General of Israel to
New England will present The National Center for Jewish
Film’s 8th annual spring film festival:
Jewishfilm.2005: From Auschwitz to America and Israel,
from March 31 to April 10.
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A scene from Elinor Kowarsky's
work in progress, IDF: THE
MUSICAL, a toe-tapping look at the
Israel Defense Forces (IDF), musical
bands and entertainers. Photo
courtesy of Jewishfilm 2005. |
The
10-program festival will include 4 USA premieres and 4
Boston premieres.
The
festival will host 6 visiting filmmakers and Pearl Gluck
(’93). All films will be followed by a speaker, either
the filmmaker or an invited guest.
To
commemorate the sixtieth anniversary of the liberation
of Auschwitz, many of the films in this year’s
festival deal with issues of survival, both collective
and individual.
In
different ways, these films explore how individuals
learn to cope with trauma, big and small, including
death, war, exile, family schism, and emigration.
Zeva
Oelbaum will present the Boston premiere of her new film,
RENE AND I: FROM AUSCHWITZ TO AMERICA, the amazing
story of resilience by Irene and her twin brother Rene,
who survived, from the age of six, three years of
experimentation at the hands of Josef Mengele at
Auschwitz. Dutch filmmaker Willy Lindwer will bring to
the USA the premiere of his very personal documentary,
GOODBYE HOLLAND: THE EXTERMINATION OF THE DUTCH JEWS,
which focuses on Dutch complicity in the deportation of
Holland’s Jews and Volker Kühn premieres his
remarkable resurrection of doomed artists in DANCE OF
DEATH: CABARET IN THE CONCENTRATION CAMPS.
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A snap shot from RENE AND I: FROM
AUSCHWITZ TO AMERICA. One of the
producers is a Brandeis Grad, Zena Oelbaum. The film just won the audience prize at the
Atlanta Jewish Film Festival. Photo courtesy of
Jewishfilm:2005. |
Two
films are set amid the ghosts of the Holocaust: the
Boston premiere of METALLIC BLUES, a road-movie that Variety
calls an “Offbeat, largely comic treatment of
present-day German/Jewish relations” and Pearl
Gluck’s documentary DIVAN, about the retrieval of a
turn-of-the-century family heirloom from Hungary.
Jewishfilm.2005
will feature four Israeli
films, reflecting the diversity, richness, and
challenges of life in Israel. Orna Ben Dor will present
the USA premiere of her new documentary WIDOWED ONCE,
TWICE BEREAVED, about five women whose families were
killed in a suicide bomb in Haifa, Israel, and Elinor
Kowarsky will present the USA premiere of the first two
hours of a work in progress, IDF: THE MUSICAL, a
toe-tapping look
at the Israel Defense Forces (IDF) musical bands and
entertainers. The festival will also screen last
year’s highest-grossing Israeli feature film TURN LEFT
AT THE END OF THE WORLD and the Boston premiere of IN
STAMAR’S CUSTODY,
a controversial documentary about the anti-Zionist,
United States-based Hasidic sect, the Satmar.
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The Boston premiere of IN
STAMAR'S CUSTODY, a controversial documentary about the anti-Zionist,
United States-based Hasidic sect, the Satmar, is one of 10 programs you can see
during Jewishfilm: 2005 at Brandeis
University. Photo courtesy Jewishfilm:
2005. |
Jewishfilm.2005’s opening program, offered in celebration of the Jewish community’s
350th anniversary in America, is the Boston premiere of
the newly restored and subtitled 1940 Yiddish feature
AMERICAN MATCHMAKER (Amerikaner Shadkhn). Starring
Leo Fuchs “the Yiddish Fred Astaire” in an art deco
romantic comedy set on New York’s Upper West Side,
this clash between the urbane, slick manners of the new
country and the old, busybody, communal ways of the shtetl, offers a satisfying combination of humor, music and
schmaltz.
All
screenings will take place on the Brandeis University
campus, Waltham, MA in the Edie and Lew Wasserman
Cinematheque and Sachar International Center. For more
information, email: jewishfilm@brandeis.edu, www.jewishfilm.org
Gravity
Sings through Winter
There
is a very nice wrinkle in this piece. See if you can
find it.
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| Gravity recently produced a
15-minute piece for the City of Medford as it began its Medford Square
Revitalization Project. Photo courtesy of
Gravity,LLC |
In
December, Gravity completed a 15-minute piece for the
city of Medford titled Visions of Medford Sq. currently
getting a lot of airtime on Medford's local TV-3. Shot
in 24p and in 16:9, the piece features local area
businesses describing their vision of the Square as
Medford begins it's revitalization of the Square. A
central feature in the video was the night that Medford
broke the Guinness Book of World Records for the
most Christmas carolers singing in one place at the same
time. Appropriately enough, they sang "Jingle
Bells" written in Medford Square circa 1890!
Last
November, Gravity
was contacted by WBZ to produce and shoot its annual Children’s' Telethon Promo
ad. Director/Cameraman Steven J. Eliopoulos
collaborated heavily with Senior Producer Tiffany
Middleton-Riva at CBS4 Boston (as they are now
officially known). Eliopoulos suggested that this year's
promo should somehow incorporate the World Series
Champion Red Sox, especially since sports anchor Bob
Lobel in the reindeer
suit is always the centerpiece of these annual promos.
Middleton-Riva wrote the copy based on Eliopoulos'
visual suggestion that this year should feature all the
anchors around Lobel in front of a make-up room vanity
mirror. The vanity mirror and set was wonderfully built
and assembled by CBS4's Mike Nosel. Eliopoulos says:
"I was really going for this Moulin Rouge
sort of look by shooting everything into the makeup
mirror..."
Gravity is a fresh player in New England
area film, video and digital media production. Offering
a crisp and energetic alternative to today’s
advertisers, Gravity’s agile production approach
realizes the creative for any project. You can Google
IMAGINE site www.imaginenews.com
for other Gravity project stories.
Bob
Colman’s FOLLOW THE BROCCOLI Gets DVD Release
FOLLOW
THE BROCCOLI is the story of a young songwriter, Arthur
Ibbet, who becomes obsessed with a woman, and in order
to win her heart, he sets out to become a bingo
champion. (She comes from a long line of bingo
champions). The film will now get its DVD release later
this month.
PulseMedia
authored the DVD and the last of the SAG consent forms
have been signed! Director Bob Colman told IMAGINE
he expects the DVD will be available through the web
with CustomFlix.com by mid-to-late March.
An
IMDBpro commentator named phelpskm recorded this user
comment "It's
NOT about the MONEY."
In his first
full-length film, director ROBERT COLMAN successfully
weaves together musical talent, comedy and a deeper
message. FOLLOW THE BROCCOLI ("FTB") -- a film
that is only just beginning to gain the true recognition
that it deserves -- examines the collective angst of the
generation that was not quite "Gen-X" in its
search for meaning. Arthur Ibbit's rise to fame in the
ultra-competitive bingo world and the mixed emotions
that accompany his success reflect a clash of values
inherent in the rat race of today's high tech world. The
search for Joe King, as the key to it all, lends an epic
quality to the film. Outstanding performances by actors
Barlow Adamson, Rose Carlson and Glen Phillips bring a
funny and innovative script alive. In yet another quirky
independent film to come out of the Boston area, Colman
makes use of the Charles, the Common and the Capital as
backdrops to Arthur Ibbit's search for meaning in life
that is at once witty and self-reflective.
FOLLOW THE BROCCOLI is a hip and wacky examination of a
young singer-songwriter's life at the end of the
twentieth century -- and a must see!”
Chris
Sparling Wraps BALANCE in Rhode Island
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| Writer, director and actor Chris Sparling on the set of AN
OUZI BY ANY OTHER NAME. Photo by David
Ciolfi. |
Chris
Sparling serving as writer, producer, director and actor
wrapped his new film BALANCE in Rhode Island last month.
The film used Providence and Little Compton, RI as
locations. The story is about a father who exacts
revenge against his homosexual son's lover for knowingly
giving his son HIV. The film stars Craig Handel, Kevin
Centazzo, Sandy Laub, and Chris himself. Raymond Lepre
served at the Director of Photography
Vin
Fraioli featured Chris’ movie AN OUZI AT THE ALAMO in
the Dec/Jan 04 issue of IMAGINE. That film is set for
premiere in April.
BALANCE marks the second project for Sparling’s
Rhode Island based production company, Scarred Heel
Productions.
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