REVIEW

Five Days To Sunday
In Newport

by Judy Kermis Blotnick



The Technical Crew supporting the 24P HD systems that made the 5 days be enough include Tom Talbot, Director of Sales for Rule Broadcast Systems, and Steve Dirksmeier and Bob Molczan, both of Sony Electronics.

Bob Molczan of Sony Electronics, Joel Walker from Element Productions, and Zbyszek Twarog, Chief Engineer for Rule Broadcast Systems in Newport, RI for the production of 5 Days til Sunday.

Part of the team that made it happen in five days!Eran Lobel, Executive Producer; Leif Husted-Jensen, Director/Cinematographer; Libby Langdon, Lead Actress; Chet Harding, Lead Actor; and Steph Accetta, Producer. Photo courtesy of Element Producitons.

"Make a movie," said the sign. "Come pitch your ideas for a short film," it encouraged. Even the rest of the announcement, which invited participants to persuade the director and production team to work with their idea and to bring along props, location ideas, motivations, conflicts and a personal cinematic vision was intriguing. The meeting was scheduled for Tuesday, June 5th, in the Newport International Film Festival Office, at 2:00 PM.

What wasn't immediately clear was that the film had to be completed by Sunday, the last day of the festival and it was that very idea that the creative team from Element Productions found so intriguing. The challenge of 5 days in which to create a story line, select talent, scout, shoot, edit, score and screen the film was appealing to director and cinematographer Leif Husted-Jensen, producer Steph Accetta, editor David Bigelow and executive producer Eran Lobel. They embraced the idea of creating a quality film in so short a time frame.

"Life without risk is dull," Lobel said. "Making a movie, taking on a challenge like this is risky but bringing on professionals to make it happen reduces the risk."

Lobel, Husted-Jensen, Acetta and Bigelow tackled what they called a "suicide mission" and agreed to make a film in 5 days. The reputation of Element Productions for turning out quality TV commercials and documentaries transferred into making a quality film on an impossibly tight schedule. The title of the film came to them because they really only had the 5 days to Sunday and each time they mouthed the words, their "adrenaline shot up." But all along what they agreed on was the need to maintain the quality of the project, true to the concept. Despite the time restriction, they insisted that it had to be "creatively a masterpiece," down to the music, which was scored by rock musician Nuno Bettencourt and his band from New York, while the film was being edited.

"Part of our interest in doing this film was to support the Newport Film Festival, a young festival," said Lobel. "We are a young company and want to see start-ups like the Woods Hole and Nantucket
festivals thrive."

The film they presented had a plot that incorporated a dog, a snooty NY couple, and an Arab bartender who is passed off by the couple as a "director guy" so that they can be part of the movers and shakers at the NIFF. Having met him at a party, Lobel even convinced veteran actor Lee Majors to appear in a cameo role.

"The real star of the production was the effectiveness of the team and it was very exciting to see the result of the Sony 24P HD camera that John Rule lent us," said Lobel. "It is a revolutionary advancement that gives video a film look. We couldn't have done this any other way, without the uncompressed Sony editing system and without the help of the two technicians that came with the camera and the edit system."

John Rule, of Rule Broadcast Systems in Watertown, was happy to help. Rule has been renting equipment for production and post-production to the industry for the past 11 years. He decided to go to NIFF because he correctly predicted that equipment like the Sony 24P HD would be a totally viable alternative to film and he is excited about addressing the indie film market.

"Let's see. I have known Eran Lobel for about 15 years and his is one of the premier film production companies in town," said Rule. "I wanted him to be excited by the 24 P, to immerse himself in that world. If he was willing to embark on this insane idea, to do this in 5 days, I may have expanded the insanity by offering him a medium he never used before but I really wanted to support him."

His fondness for Lobel is coupled with his admiration for Lobel's "being like a little kid, racing down a hill on a bike, knowing he might crash but still having no fear, nary a thought to consequences."

And fortunately for the world, the little kid does not crash and, with his team, goes on to produce gems like FIVE DAYS TO SUNDAY.

FIVE DAYS TO SUNDAY successfully screened that Sunday afternoon, complete and on time for festivalgoers to revel in the accomplishment. And what's more, it was accompanied by a 20-minute documentary that covered the making and showing a film in five days that even included my feet standing in line in front of the Jane Pickens Theatre while waiting to see the film, and Julie Weinberg introducing the film in the theater! I was impressed. The audience loved the outrageous story that so well related to many festival experiences. Congratulations to cast, crew, creative and technical support, and to the Newport International Film Festival Directors for their clever demonstration of courage. Well done! And here's how you do. PUB